
Yes, during this phase the processed signal is only mono, but this is not the signal for your final recording. While you record the dry signal (phase 1) you select Input Source "Front Input" and Output Source "Git / Master." for the S/PDIF Out. Soundcard S/PDIF Output -> Profiler S/PDIF Input Profiler S/PDIF Out -> Soundcard S/PDIF Input

Have you read my explanation above related to the two phases? You never need a reamping box and the cable connections stays always: Sorry if I am not explaining it properly. I just feel like I am missing something to achieve a stereo reamp signal without using the Soundcard as a guitar input. Guitar to Kemper input - Cubase Channel 1 mono set to SPDIF In L (dry guitar) - Output of Channel 1 to Kemper SPDIF Out L - channel 2 in cubase as SPDIF In R (wet guitar) with an output to Main Monitors Guitar to Soundcard input - Cubase Channel 1 mono set to Audio Input - Output of Channel 1 to Kemper SPDIF Out L - channel 2 in cubase as SPDIF In Stereo with an output to Main Monitors So is the correct process now the following or am I missing something: Now I am using SPDIF I was hoping to go back to the self contained route as mentioned above but this has not proven possible for a stereo signal. Now as I have effects in the loop I have had to start recording my guitar directly into my Soundcard and route out via a reamp box.
#Stereo reamp box plus
This process allowed me to record the dry signal and monitor the wet plus reamp as required without the need for a dedicated reamp box. Guitar into Kemper, signal from direct out to sound card, sound out of sound card to return in on kemper, main outs back to Soundcard.

What I liked about the reamp via the main outs was the whole process was contained within the Kemper so: Also when using the Kemper in a "none digital" reamp way I had this working for months with no issue. I have been reamping for many years so the concept is fine with me. It was late and I was trying to do this before going to bed. Sorry I may not have explained myself to well.
